After reaching out to different expressive currents, having wandered along various aesthetic paths, to satisfy the artistic needs of the moment in a kind of paranoid cyclothymia, a rethinking arose: returning to figuration, to the object as a fundamental premise. The revaluation of painting in its broadest sense, based on the fact that to achieve avant-garde work it is not necessary to resort to � ...��expressive snobbery”, since in the concept what changes is the approach and not the medium.